The Original Dixieland Jazz Band's first recording in Feb. 1917 is often cited as the first jazz record ever, but critic Kevin Whitehead says that the roots of jazz stretch a little further back. This ...
Having so far self-released three studio efforts, French ensemble Ghost Rhythms present their first live album, and debut Cuneiform release, Live at Yoshiwara, recorded in front of a small audience ...
Just three percussion instruments – the conga, bongos and timbales – transform a big band into a Latin ensemble full of upbeat melodies and unexpected rhythms. The fusion occurs every Thursday night ...
Rivers of Rhythm—highlighting the work of The National Museum of African American Music—explores and celebrates the music genres and styles created, influenced, and inspired by African Americans. In ...
The African Jazz Ensemble may be the best kept musical secret in Memphis. Founded over two decades ago by Ekpe Abioto, they’ve forged a hybrid blend of influences with an impressive roster of players, ...
The monthlong Dance Chicago festival closes this weekend with two performances of the second “Jazz Rhythms” program as well as “Finale” on Sunday afternoon and evening and “Dance for Kids, Too!” on ...
In this onstage conversation, members of the International Sweethearts of Rhythm discuss the history of women in jazz and the legacy of the Sweethearts. Moderated by Sally Placksin (producer of jazz ...
It don’t mean a thing if it ain’t got that swing — all you’ve got to do is stagger your timing. For decades, fans of jazz music have debated why some songs have swing — the characteristic swaying ...
The subtitle of this not uninteresting history by T.J. English could well be "Sex, Drugs, Jazz, and the Mob," because, for the most part, that is what you get. It is a flawed book, in part because ...
Even if you’ve never heard of Dave Brubeck, you likely know his music. A contemporary of Miles Davis and John Coltrane, Brubeck may not have the name recognition of those titans of jazz, but his ...
Now more than ever, the easiest answer to that pesky question — what’s keeping jazz vital these days? — appears to lie in London. And much of the serious activity there runs through Shabaka Hutchings.